rat-arsed rock 'n roll slur ("89¢ Public Render") or sulphurous aggro-electronics (the two-part title track)
a composition whose melodic drive and percussive groove reminds on moondog’s spirit
Unhampered by arch design or advanced technique
Paradoxically functioning as both Harry Pussy's curtain call and final act
The stereo and computer were both left undisturbed for an afternoon
Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry rat-arsed rock 'n roll slur"Smudgy existential electronics and pristine minimal jazz with a furtive, fugitive feel. It's a creepy, brown carpeted, Cold War ish mise en scene, painted with a wonderfully peculiar palette keyboards, double bass, vibraphone and rigid drum machine tick n tock, a perfect marriage of fluency and stiffness, of all pervading paranoia and carefully portioned camp (Kraftwerk in The Red Room?). Romance too "Djurgardsgatans Ogonblick" and "Jag. Mitt Kaffee"